I Pray for Miley

Today, in honor of her Concert at the Tacoma Dome, I confess that I listened to Miley Cyrus on my wife’s ipod. Through my daughter, Miley, or Hannah Montana, has invaded our home, via Disney TV, cd’s played in our car, and merchandise like cups, nightlights, and toothbrushes. Miley is a big deal around here. So I thought I’d write Miley a quick note. You are welcome to read it, too.

Dear Miley,
I pray for you. I invite others to pray for you as well. I bet that might come across sounding hard, or meanspirited, but that’s not my heart. It is offered with compassion and grace. Here’s what I mean:

Miley, you have achieved the kind of stardom and wealth that very, very few people ever achieve. I’m talking Solomon-like wealth. Flipping through an issue of Time, I read that last year, your merchandise net alone brought in 1.3 billion dollars. Bring in the way Disney has packaged your TV personality into a product. Add in the CD sales and your 3-D concert movie. Remember that you can sell out a stadium concert faster than anyone ever has. There’s a lot of gravy flowing, and Billy Ray’s little girl is riding that train at breakneck speed. Since wealth is power, I pray that you’ll steward yours well.
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What is Christian Art anyway?

One of the ideas I’ve grappled with over the years is, What is Christian art?  I mean, what makes an artistic expression like music or drama or dance uniquely Christian?  What does that term mean anyway?  And I’ve come to the conclusion that it isn’t necessarily anything that has Christian symbolism or religious themes or doves and crosses.  More than anything, Christian art must begin to reflect the overarching story of God, the Meta-Narrative, that our Triune God is in the process of redeeming that which has fallen, that which He had created, that which He loves.

The story of all that is, is the story of God.  He takes His pen in hand to write this story: Creation, Fall, Redemption.  All of history, all of the Bible, all of what was and is and will be, reflects this three act play of Creation, Fall, and Redemption, that God is writing in the universe.

But that’s not all.  He writes this story in our souls as well.  For all of us have our own stories, our own vignettes of how God’s grace has saved us, changes us.  And our stories enter into His larger story of the redemption of the universe.

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Emptiness is Abundance

“The most expressive form of art today in connection with religion might be sacred emptiness; an emptiness which does not pretend to have at its disposal symbols which it actually does not have. In all realms of life today we must have some emptiness. … On the basis of a preliminary sacred emptiness, something may develop.”

-Paul Tillich

I believe in the desert. I go there perennially, to remind myself how much I believe. Last weekend, I went out to Joshua Tree, which is a desert National Park about 80 miles east of Los Angeles. It’s a vast, empty, preserved land of rocks, cactus, desert flowers, and lizards. And it’s in my backyard—just an hour away from one of the most hectic, crowded, chaotic cities in the world.

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Where There is No Gift There is No Art

One of the best things about working so closely with Makoto Fujimura is that I have a rich resource of amazing recommended reading, and that from a man who embodies radical generosity in a way I have rarely seen. Books he has given me to help feed and nourish my spirit include "To Kill A Mockingbird," "Surprised by Hope" (NT Wright), and most recently, "The Gift," by Lewis Hyde. (Not to mention Mako's own books, "River Grace" and "Refractions."

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UNLEASHING THE LION: Arts and Faith

When I was Austin, Texas screening my movie Purple State of Mind at the Alamo Drafthouse, my friends at The Work of the People grabbed a few minutes with me outside.    They produce the smartest and snappiest and most gut punching videos for churches around the world.  Nobody creates resources for worship with more originality and verve.   

Ever the provocateur, filmmaker extraordinaire Travis Reed launched a few loaded questions my way.   No planning, no prep, just spontaneous riffing.   His camera rocked and rolled across an array of issues.   Fifteen minutes later, our conversation had concluded.  

And yet, through the miraculous power of editing, Travis turned those fifteen minutes into three potent short pieces about the danger of televangelists, how to 

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