Leftovers

Back from Thanksgiving break, and filled to bursting with new cinema experiences. With so many films backlogged in my brain, I thought I might jettison a few:

Paranormal Activity. Exhibitionist horror on a micro budget and in a realistic vein: unknown actors, digital video, a pseudodocumentary style. The premise is simple beyond belief: a twentysomething couple set out to record a ghost or demon or what-have-you that’s been disturbing the furniture and that seems to have special designs on the girlfriend. The feeble development of a deeper plot is shoved aside for a series of well-timed shock effects: a creaking door, a shadowy shape, a bedroom attack, and much worse. One shot in particular, a wide angle on the sleeping couple, has a Pavlovian conditioning effect: every time we return to this setup, something worse transpires. Hokey and harmless in retrospect, fun and gripping if viewed under the right conditions (specifically a packed theater with good sound).  
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Review: The Box

I didn’t think The Box looked that great from the trailers. The premise was brilliant but, well, Cameron Diaz was the star…

Alas, The Box is actually quite entertaining and surprisingly thought provoking. It has a great spiritual/philsophical/sci-fi craziness vibe to it (similar to Knowing, which I suggest you rent soon if you haven’t seen it). If you liked Richard Kelly’s earlier films (Donnie Darko and Southland Tales) you will like this one too. Plus Win Butler of The Arcade Fire composed the score! And it’s great.

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