Walt & El Grupo. Excavation of an obscure corner of film history during which Walt Disney left the bosom of his flagging animation studio for the tangy nightlife of South America with respect to Roosevelt’s Good Neighbor policy. “El grupo” refers to the diverse team of artists who accompanied him there and came back with the rudiments for Saludos Amigos and The Three Caballeros, two of his most vibrantly colored feature films. What Theodore Thomas’s documentary lacks in drama and tension it makes up for in clarity and organization. (Extra points for shooting in soft 35mm as opposed to digital video.) Disney buffs won’t need any further endorsement than the sight of Uncle Walt in gaucho garb riding a bucking bronco.
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