Advent & Malick

Terrence Malick has never made a Christmas film, but I think his films, collectively, have a lot to say to us as we meditate on the meaning of Advent. Before you groan and say, “here McCracken goes about Malick again,” let me explain.

At it’s core, Advent is a season in limbo, in between the first and second comings of Jesus. It’s a season about eschatological longing as much as it is about nostalgic joy for the Incarnation of God as man. It’s about longing for and awaiting the coming kingdom, the restoration of creation to a state of shalom and fully realized glory. A key word is “restoration,” for within the mystery of Advent is a deeply felt longing and remembrance of that original Eden, so long ago lost and yet made possible again in Christ.

continue reading

The Enemy of Cynicism

“What difference you think you can make? One single man, in all this madness?”

This is a question Sean Penn’s character asks Jim Caviezel in a memorable exchange in Terrence Malick’s The Thin Red Line–a hardened cynic questioning an idealist’s optimism amidst the horrors of battle on Guadalcanal.

It’s a question that everyone who watches the film has at some point, in some way, asked of themselves. However idealistic we are, and whether or not we’ve ever experienced the tragedies of war and squalor first hand, we all are painfully aware of the limits of our own world-bettering, problem-solving abilities.

continue reading
Syndicate content

Bloggers in Malick


Sign-up for the Newsletter
Sign-up for the Newsletter
Get the latest updates on relevant news topics, engaging blogs and new site features. We're not annoying about it, so don't worry.