Suddenly, Last Summer

The first day of fall has arrived—what better opportunity to survey the summer harvest? It wasn’t the richest crop, but there’s a lot to look forward to what with a forthcoming Coen brothers comedy, a Wes Anderson animation, a Robert Zemeckis holiday extravaganza, and a shadowy Terrence Malick epic that threatens to be pushed back a year. Where I’m standing, the year is young. And that’s a good thing.

Walt & El Grupo. Excavation of an obscure corner of film history during which Walt Disney left the bosom of his flagging animation studio for the tangy nightlife of South America with respect to Roosevelt’s Good Neighbor policy. “El grupo” refers to the diverse team of artists who accompanied him there and came back with the rudiments for Saludos Amigos and The Three Caballeros, two of his most vibrantly colored feature films. What Theodore Thomas’s documentary lacks in drama and tension it makes up for in clarity and organization. (Extra points for shooting in soft 35mm as opposed to digital video.) Disney buffs won’t need any further endorsement than the sight of Uncle Walt in gaucho garb riding a bucking bronco.
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Review: Funny People

Funny People is a funny movie. But it’s also serious. It mixes genre in a way that sometimes works and sometimes doesn’t, and this will frustrate many viewers. It’s also a Judd Apatow film, which means there are about fifty too many penis jokes, lots of bromance comedy shenanigans, and touches of emotional depth and “growing up” insights. As part of the Apatow canon, it fits nicely in with The 40-Year-Old Virgin and Knocked Up, rounding out the trilogy (if you want to call it a trilogy) with an appropriate graduation to existential self-awareness.

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