This is the third and final segment in my interview with Bobby Duran on The Soul of Hip Hop. Here we talk about engaging an unreached people group that is more spiritual and global than you might think.

This is the third and final segment in my interview with Bobby Duran on The Soul of Hip Hop. Here we talk about engaging an unreached people group that is more spiritual and global than you might think.

Daniel Hodge Part 3 - "Engaging the Hip Hop Culture" from ConversantLife on Vimeo.

This year marks the 20th anniversary of Spike Lee’s classic film Do The Right Thing (1989). It is hard to believe I was going into my junior year in high school 20 years ago. It’s even harder to fathom that I’m twenty years older now! Where did the time go? I remember seeing the coming attractions for the film and wondering what Spike was up to now. I wasn’t allowed to go see the film in the theatre for fear of “race riots.” So, I had to wait until it came out on VHS to see it later that year.

I remember seeing the film for the first time—and subsequent times—and feeling a sense of tension throughout the film. The film left me angry, thinking about life, pondering my own decisions, wondering if people were getting the message, and how Spike got Universal to even consider doing this film. The film was powerful, and even after 20 years, I continue to see new things in the film—and ask more questions.

If you’ve taken one of my classes, you know I use this film a lot. Why? It’s a 20 year old film Dan? Its old School? But is it really? My real question is, how far have we really “progressed” in 20 years and have we—societaly speaking—done the “Right thing?”

This is a loaded question, obviously. It cannot be answered in a 700-word blog. But with the recent Gates incident still on the nations mind, Obama being elected to the presidency, and a host of other racially charged issues, we must begin the difficult conversation of answering this question and questions like these.

As a Blackxican living in this “multi-racial” society, I tend to see a lot of racially charged things. And it gets hard trying to explain that to people who do not have to experience racially charged issues on a daily basis. Moreover, it gets down right frustrating getting cross examined and told your story “couldn’t have happened the way you say it did—c’mon, no one treats others that way anymore!” Spike put those issues at your front door step with this film and insists you begin to deal with them.

This film is a symbolic, 3rd dimensional film representing of actual larger issues in today’s societal sphere. Sal’s Wall of Fame, Radio Raheem’s Love & Hate, Bug Eye’s boycott, Da Mayor, Korean store owners, the 3 brothers on the corner, and the theme song “Fight The Power” by Public Enemy constantly reverberating throughout the community are all symbolic of issues such as representation in the media, oppressive factors, nihilism, and even sexism.

From a filmatic perspective, the film is a masterpiece: the colors, the soundtrack, the location, the 26-hour day, the script, the use of Dutch angles to illustrate conflict, the script, and all the extras in the film. All these components make the film worth watching just from a cinematography perspective alone.

But the film goes even deeper than that. Spike let’s us, the audience, see the life and happenings of one neighborhood, for one day, on one block, on one very hot day (It’s a sociological fact that when the heat rises, so does the murder rate). Spike allows you to grapple and struggle with these issues:

• Did Mookie do the right thing?
• Should Sal have put more “brothas” on the wall?
• The paradox of Bug-Eye (played by Giancarlo Esposito) in real life being half African American and Italian American who leads out in boycotting Sal’s pizzeria and wanting the “Eye-Talians” to leave the community—Spike actually cast him for the role because he was bi-ethnic.
• What is the “Right Thing”
• Was Sal a racist? If not, where did Pino get his racist ethos?
• The quotes of both Malcolm X & Martin Luther King at the end of the filmWas Mookie a “sell out” boy working for Sal?