Some cultural phenomena are popular for reasons that seem inexplicable. Somehow, though, certain trends in Americana end up surviving – for better or for worse. These trends have the ability to both interpret the cultural psyche or to challenge it. The latest aspect of pop culture to be held at a closer look is the world of pro wrestling, in Darren Aronofsky’s latest film, “The Wrestler”.

“The Wrestler” tells the story of Randy “The Ram” Robinson (Mickey Rourke), a wrestler past his prime. A hero in the 1980’s, he now struggles to make a living. Instead of packed arenas, he now competes in community gymnasiums. Meanwhile, Randy sees his own personal life in shambles. A dysfunctional relationship with his daughter (Evan Rachel Wood) and an attempt at romance with a stripper (Marisa Tomei) are just the beginning of his personal issues.
The essential plot of this film has been seen countless times before. “An aging athlete desperately tries to make a comeback confronts his personal demons”. While the story could have been plucked from any number of films, “The Wrestler” distinguishes itself in a number of ways. This, ladies and gentlemen, is cinematic art at its best.