Voyage of the Dawn Treader

As a child, I fondly remember reading C.S. Lewis “The Chronicles of Narnia” with my father. Most memorable was the first book, “The Lion, the Witch, and The Wardrobe.” The rest is admittedly a blur.  So, while no doubt many of you who read this will share contentment and discontentment with the adaptation of Lewis’ world to the big screen, my objective in viewing it was how the film worked…as a film. For Walden Media’s third outing (and its first without Disney), I had a mainly great experience with it.

The story in “The Voyage of the Dawn Treader” is themed around temptation. A mysterious green smoke is swallowing people whole and transporting them to a place called “Dark Island” where they mainly have…just disappeared. Our heroes are led into the journey by the King “formerly known as Prince” Caspian, who has thankfully dropped his Spanish style accent and stuck with an English accent. The heroes – now Lucy and Edmund – have entered Narnia through a painting that happened to also take their annoying cousin Eustace with them.

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First Day at The Kilns

I’m writing this on the bed of C.S. Lewis, in his second floor room in his beautiful home—The Kilns—just outside of Oxford. There’s a little brick fireplace in the room, a creaky wood floor, and an adjacent study where he did a lot of writing after his wife Joy died.

It’s a ghostly little room, haunted by the absence of a legendary literary hero as well as the curious visage of what looks like a photo of the shroud of Turin, hanging above the fireplace mantle. The curtains are brown burlap and the walls are painted bluish gray. Outside the gardens are thriving and green, with hydrangeas and begonias and apple and pear trees enjoying their early summer growth spurts. Down the path there is a hidden pond, sodden with algae and leaves. I went hiking back there tonight, after dinner. I climbed to the top of Shotover Hill, on a muddy, well-worn path that Lewis himself took many an evening. That Lewis had trod on these very paths and slept under this very roof was indeed an inspiring thing, but more than Lewis himself (or his writings or his legacy), these things brought to mind a longing for something other and separate and elsewhere. Fitting, I suppose, as this is an idea Lewis frequently explored.

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Narnia and Fox

Some thoughts on the latest developments on the next Narnia film.


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