The Search for Online Truth

If there's one constant about technology that trumps all others, it's this: change. We can be sure that whatever technology is cool and useful and popular today will be replaced by something that's cooler, more useful, and more popular tomorrow. It's just the way it is.

With truth it's different. Unless you're a relativist, truth doesn't change. We need to know that what's true today will still be true tomorrow. We also need to know that the content we access, whether it's on a printed page or in some kind of electronic form, is trustworthy.

At ConversantLife.com, we are committed to both technology and truth. We are using the latest technology to present trustworthy content by a team of passionate and knowledgeable communicators, all the while inviting our users to comment and post content of their own in the form of news stories that have faith implications.

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YOUNG @ HEART rocks

From the opening strains of “Should I Stay or Should I Go?” through the rousing finale of “Yes We Can Can,” YOUNG @ HEART makes audience laugh, shout, and celebrate. This inspiring documentary follows the rehearsals of a geriatric choir (average age 80!) in Northampton, Massachusetts. Led with a punk rock ethos by Bob Cilman, the Young @ Heart chorus includes great, great grandparents. It is the most entertaining film I’ve seen in 2008.

Director Stephen George focuses upon the most lively characters in the choir, including 76 year-old, Stan Goldman and saucy 92 year-old Eileen Hall. At the beginning of the film, the camera seems to be laughing at them. Their shouts animate renditions of James Brown’s “I Feel Good” and Sonic Youth’s “Schizophrenia.” Producer Sally George also stages some hilarious music videos to The Ramones’ “I Want to be Sedated” and David Bowie’s “Golden Years.” But soon the satire turns into something far more moving.

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Tags | Film

Wresting With Evil and Hope

Christy Tennant continues her conversation with Makoto Fujimura about the third language…

CT: Tim Keller’s latest book, Reason For God, deals with addressing hard questions that all people grapple with. For example, he delves into the theology of suffering, and all the hard questions that arise simply because “good people” suffer tremendous evil, while “evil people” seem to get off scot free. How does the issue of suffering inform your art?

MF: Tim’s book is apologetical – it’s a resource aimed at defending our faith. But he’s been doing this since the ‘90’s – this book is not just because of “new atheism;” it’s not a response, as much as it is an addressing of genuine questions bubbling in culture for a long time.
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Bananas with Larry Norman

For just over a month now I've been trying to come up with a proper response to the passing of Christian rock legend Larry Norman. Nothing's been adequate, so here are some memories instead:

The first time I ever played for a paying audience was as the opening act for a Larry Norman concert at Glad Tidings Church in Vancouver. My teen-aged brother was the concert promoter (now you know how I got the gig.)

To my brother Chris and me (and to many others), Larry was already a legend back then. We'd freaked out to "I Wish We'd All Been Ready", campfired to "Sweet Song of Salvation", felt dangerous and cutting edge to "Why Should the Devil Have all the Good Music" and worn out our cassettes to "The Outlaw" and "Why Don't You Look Into Jesus". What blew our minds was that Larry agreed to stay at our house (which was our parents' house), and I have a particularly poignant memory of sitting on our couch watching Sesame Street and eating bananas with him.

Tags | Music

Man Is the List-Making Animal

I’m biding my time until my review of Expelled hits the ‘net. Until then, here’s something to break the silence.

I recently discovered a website called YMDb (your movie database), which appears to be nothing more than a massive collection of favorite movie lists from users around the world. Anybody can join, so I quickly logged my top twenty. It’s fun, and it’s free!

Choosing favorites can be as painful as passing a kidney stone, but it’s also a healthful exercise in decision-making, and sometimes you discover things about yourself in the process. Here are my current choices, culled mostly from memory and subject to change at a moment’s notice.
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Tags | Film

The Cult of Sincerity

As you know, I see a lot of indie films. I also ride the subways with a lot of hipsters. And I know a lot of filmmakers.

And I haven't been this excited about a movie in a while. It's called "The Cult of Sincerity", and it will be the first full-length feature to premiere, for free and in its entirety, on YouTube. The big day is April 8, 2008, and you can read the whole press release or join the Facebook group.

How does it work? The filmmakers teamed up with AmieStreet.com, a digital music site for indie musicians - AmieStreet will donate $1 for each viewer who signs up for a free no-strings-attached account at their site (and they'll throw in two free music downloads just for kicks). The film is also available for a $3 digital download to your iPod or other mobile video device, and $2 of that will be donated to Fount of Mercy, a charity which works at a very low overhead with grassroots organizations in sub-Saharan Africa to provide help to widows and orphans.

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Tags | Film

March Reviews

Gus Van Sant continues his odyssey through the inner landscapes of wayward youths with Paranoid Park,a film of ambitious formal invention and negligible impact. In tellingthe story of a skater kid (Gabe Nevins) trying to cope with hisinvolvement in a horrible tragedy, Van Sant once again turns toexpressive slow motion to isolate and extend moments of great emotionalturbulence. All of this is very lyrical, some of it strikingly so (theace cinematographer is Christopher Doyle), but for all the time spentwith this uncomprehending lad, the film never reaches beyond theobvious.

Snow Angels marks another step in the devolution of David Gordon Green, the promising young director of George Washington, who with each successive film seems to shed the qualities that made him interesting in the first place. His scenario, a small town gripped with grief over a recent tragedy, promises much, delivers much less. We also get something we haven’t yet seen from Green—mild condescension toward his characters (though they are sensitively acted by all). The ill-judged ending, in which a character does an extremely desperate deed, doesn’t come across as honest. The trick is to make the final moments seem both excessive and unavoidable. In Green’s hands it only seems like a filmmaker’s conceit.

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Tags | Film

The Lion and the Land of Narnia

I was one of the contributors to a recently-released book, The Lion and the Land of Narnia. The book highlights the wonderful artwork of Robert Cording, whose paintings capture the wonder of the world of Narnia, and contains personal essays by a number of C.S. Lewis experts and fans. As the author of a biography of Lewis, I guess I fall into both categories. My essay had to be edited down for reasons of space, so herewith I share the "directors cut."

I arrived late to Narnia, but still in plenty of time for it to have a profound influence on my life.

I envy those who devoured the books as children, turning the pages expectantly to discover the adventures within. But I was nearly twenty, and had already been charmed by Lewis’ winsome theology in books like Mere Christianity and The Screwtape Letters. In fact, I delayed my reading of the Chronicles in favor of the non-fiction works. After all, I reasoned, I wanted to fill my mind with the “deep stuff” before I bothered with the lightweight children’s stories.

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The Third Language

Christy Tennant serves as Director of Development and Public Relations for the International Arts Movement. She interviewed Mako about his thoughts on "The Third Language." First, some comments from Christy.

One of the things I love about working for International Arts Movement is that I get face time with our founder, Makoto Fujimura, regularly. What a treat it is for me to sit with this inspiring individual, discussing deep issues, wrestling with the things that are difficult to get my mind around, and gleaning insights about beauty and the gospel. In many ways, and I know I’m not the first to say this, Mako is teaching me “how to see” – art, the Bible, Jesus, and the world around me.

At IAM, we talk a lot about something Mako refers to as a “third language.” This refers to a way of talking about things – culturally, politically, sociologically, internationally – in a manner that seeks to unite, rather than divide. Jesus said, “Blessed are the peacemakers,” so our desire to be unifiers in a disparate world flows from looking at the world through the lens of the gospel. If it matters to Jesus that we work toward making peace with our fellow man, then it must matter to us too.

Poetry Friday: Kevin Gosa

Kevin is a friend of mine; he's also a classical saxophonist and the conference director for the International Arts Movement, at which several ConversantLife.com bloggers were recently in attendance, including Mako and Judy Fujimura, Craig Detweiler, and me.  He publishes his delightfully playful and thoughtful poetry at versery.kevingosa.com

Here are two of my favorites. 

would it be better

if i took a rational
only-fools-think-people-rise-from-the-dead
position

if there had been real witnesses of the
qualified-to-comment-on-the-deadness-and-aliveness
variety

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