Recently my wife, Judy, and I attended a wedding officiated by Tim Keller, pastor of Redeemer Presbyterian in New York City. His wedding message was, as usual, succinct and powerfully resonant. Tim began with Kierkegaard, who stated that at the end of history, we will have to take our masks off, as in the midnight hour of the masquerade, and reveal who we really are. "Marriage," Tim reminded us, "is a radical endeavor. It is radically discomforting and radically comforting at the same time. And the Christian gospel is the only paradigm that can bring these opposites together."
Unlike the Kierkegaard metaphor, Tim continued, a marriage forces us to take our masks off; we are completely vulnerable. Marriage, therefore, can give us strength and confidence to move into the world, or it can devastate us from within.
"God did not create us to get the cosmic, infinite joy of mutual love and glorification, but to share it. We were made to join in the dance. We were designed, then not just for belief in God in some general way, nor for a vague kind of inspiration or spirituality. We were made to center our lives upon him, to make the purpose and passion of our lives knowing, serving, delighting, and resembling him. This growth in happiness will go on eternally, increasing unimaginably (p. 219, The Reason for God, Dutton) The cosmic dance is also a nuptial dance. The Church, as the Bride of Christ, is invited to a Feast. But in order to fully respond to this invitation, we have to get beyond the general sense of "faith" and move into God's banquet hall, a center room of his mansion. The Bible makes it abundantly clear that that mansion is in a city: The City of God. "The Bible begins at a Garden," Tim noted often, "and ends in a City. Judy and I had the privilege of sitting with Tim at the banquet following the wedding.
As we ate our splendid meal, I asked Tim about his new book and the response he was getting. Tim has been on a book tour of sorts, speaking at various universities in Veritas Forums and debating atheist professors. I told him that I participated in one at Columbia University, being pitted against feminist artist Coco Fusco. |

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